This is an "off" note, deliberately sung to create tension before the first verse comes in. (ie, doing something like hitting a Bb when the song is in the key of C major)įor instance, Geoff Tate of Queensryche, during the opening of "Deliverance" from "The Warning" album, first hits a 4th, then slides it up to a flatted 5th, with some vibrato. in that case, the singer could still be singing with good technique and hitting exactly what they want to, but it could be intentionally out of key. Did he let the others go because he couldn't do any better, or because he wanted the vocal to sound that way?Ĭan you give us an example? i'm not sure if you're talking about a singer not correctly hitting and sustaining a pitch or certain notes in the music being non-diatonic. Neil Young, for instance, sings very well on a number of his tracks. The interesting question for me is how often singers who issue performances that seem subpar in a technical sense do so on purpose. There are periods and styles that challenge this tendency (nowadays country singing is all about technique, unfortunately ), but by and large one can get away with less than perfect singing in these genres if one has tone, or something else that we can, roughly, call mojo. In any case, rock & folk & blues & country singing has always been about energy and emotion and not about technique. I was shocked by this initially, but then came to realize that the problem is support, not pitch. I discovered this, by the way, through trying out pitch correction software, which did nothing to improve my voice. Not enough to qualify as off-key, but enough to sound unpleasant to my ear. Rather what happens (frequently ) is that my notes are weak or unsupported and hence they can drift slightly. I used to think that I sing off-key, but I've since discovered that I don't do this very often. I'm not sure that they sing off-key so much as warble or waiver a bit. Do guys like Young, Dylan, and Vedder sing off key?
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